“The Selfish Giant”, a film directed by Clio Barnard in 2013 is about
two young white, working class boys who risk their lives to create scrap metal
to make money so that their parents can pay for rent or furniture. The film
shows the hardships families go through in order to survive, which makes the
genre of the film ‘social realism/drama’ as the director takes the audience to
a place they would not, or would be too scared to go to, which in “The Selfish
Giant” is a council estate in Bradford, Northern England. The film is also a
drama, as relies mainly on realistic character development. “The Selfish Giant”
explores themes of poverty, violence, trust, friendship and trauma.
Mise-en-scene in a film is very important as it shows everything in the
frame and creates meaning within it.
In “The Selfish Giant” mise-en-scene is an important role as ‘weather’
is a part of this, which conveys much about the 91 minute film. Throughout
majority of the film the weather was dark and gloomy, showing rarely any sun,
this represented how the two protagonists in the film, ‘Arbor’ and ‘Swifty’, do
not lead a life full of happiness and peace but the complete opposite as they
are surrounded with negativity constantly.
When ‘Swifty’ passed away it appears that the weather got worse, Arbor
is shown sitting outside of ‘Swifty’s’ house in pouring rain which may have
many interpretations, such as; ‘Arbor’ never being able to have a bright or
happy day again now that ‘Switfy’ has disappeared from his life which the rain
symbolises Arbor’s immense sadness, reflecting on what has happened.
Another interpretation may be that as Arbor is constantly outside of
Swifty’s house he is feeling guilt and blame for his death, which are two
themes also explored within the film.
Another micro-feature that is important in film is
cinematography, this is important as the different use of shots, all reveal
different meanings and have the power to make the film more realistic.
Throughout “The Selfish Giant” it is noticed that
there were many long-lasting establishing shots of the countryside’s showing
sheep’s and horses. This showed a different image of safety and peace which the
protagonists of this film would escape to in order to be away from the loud, urban
environment they are forced to survive in. The establishing shots which would
suddenly cut to shots showing the dangerous, noisy machines was a drastic
contrast which re-enforced the genre of social realism, taking the audience to
get an understanding or a view that what these children go through to support
their families in financial deprivation was indeed very dangerous and a
contrast in itself as a child whom pure and innocent being thrown into illegal
work force to make money for their family definitely shows another life to what
the viewer may know.
Clio Barnard makes it clear that the protagonists
do not lead that of an ‘ordinary’ life, which is expected of them so keeps the
narrative real throughout the film to reveal to the audience there are no ‘happy
endings’ in such a danger-driven full of poverty world.
Cinematography within the film “The Selfish Giant”
revealed foreshadowing by the ending with the use of the shots showing the
electric wires, this may have been to inform the audience that a key event was
going to happen.
Overall, I enjoyed “The Selfish Giant” as it was
realistic and gripped the whole way through. The narrative was believable and
strong, reaching the unexpected and dramatic climax at the end. I believe the
micro-features helped create the meaningful piece of work.